Breaking the Surface Part 1: Exploring the History of Pictorial Space

Breaking the Surface Part 1: Exploring the History of Pictorial Space

$185.00

How we create three dimensional space on a flat surface is one of the central problems of painting. This course is designed to support your studio practice by introducing you to a wide variety of ways to approach space in your work. We will work through William Dunning’s Changing Images of Pictorial Space, to explore the surprising relevance of ancient, medieval, and Renaissance painting for making contemporary art. The course sets up provocative juxtapositions between the ways traditional and modernist painters approach flatness and depth.

Each session will include a slide lecture, painting demo, and a painting project. Working from observation with a still life motif, students will explore radically different ways of setting up the depth and space of their work based on the ideas presented in class.

In Part II of the course we continue our exploration of pictorial space, bringing us from the Baroque up to the modern era.

Reading: Changing Images of Pictorial Space: A History of Spacial Illusion in Painting by William Dunning

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Course Overview:

Session 1: Ancient Roman frescoes / Cezanne

  • Shifting perspectives, a felt sense of space

Session 2: The Middle Ages: Cimabue / De Kooning 

  • The illusion of flatness

Session 3: Proto-Renaissance: Giotto / Morandi  

  • Finding volume in a compressed space

Session 4: The High Renaissance: Raphael / Pollock 

  • Creating depth: Atmospheric perspective, linear perspective, and other approaches

Materials list:

Feel free to use whatever materials you are comfortable with. I’ll be using oils but acrylics or gouache would also work well. Here are the basic materials that I am planning to use for my demos:

  • Panels: Aluminum composite material 12x11” ( you will want a new small panel or canvas for each week of the course.)

  • Glass palette or wood palette

  • Palette knife

  • Gamsol

  • Winsor and Newton artists painting medium

Brushes: 

  • Signet bristle brushes (filberts) of various sizes

  • Princeton Dakota (flats) of various sizes

  • Simply Simmons synthetic sable (filberts) of various sizes 

Paint: 

  • Gamblin brand: Titanium White, Lemon Yellow, Cadmium Yellow, Cadmium Orange, Cadmium Red Light, Alizarine Crimson, Ivory black, Phthalo Blue, Ultramarine Blue